THE ARCADE

Low-poly RC off-roading built for your phone: jumps, mud, a two-log bridge, NOS with a wheelie, a time trial round the loop and two minutes of tricks. Now on a redrawn landscape handset, with a frontflip that waits until you ask for it, and proper fullscreen when you add it to your phone's Home Screen. The first cabinet built in 3D — give it a moment to load. Beta.

Power sources on the left, light bulbs on the right, and the bulbs want colours the sources don't have. Place wire — nothing falls — and blend red, yellow and blue on the way. Shred the piece you can't use; bin the one you'll want later. Start on CALM: no clock, nothing to lose. NORMAL and ADVANCED bring the clock, the surge and red slabs that move, and on EXTREME the bulbs you haven't lit yet change colour on every surge. Plays on a phone, and your best scores stay on your device. Every sound synthesised, every pixel drawn in code.

A top-down canoe trip through Algonquin Park, where the canoe is the car — paddle it, land it, then carry it over your head across a 295 m portage. The lakes are real, the portage really is 295 m, and every pixel and loon call is generated in code. Camp before dark, or the dark catches you.

A sixteen-step groove box with two choirs of synthesized 808-style voices, a Tone Selector with opinions, and three skins it will happily wear if you click the nameplate. Sequence a beat, export the .wav. Zero samples were used — none exist.

Pixel-art chess with old-school Atari vibes: chiptune bleeps, an adaptive AI that keeps you at the edge of your ability, and a ladder of eight ridiculous rivals. Your first opponent is a sentient vending machine. Good luck.